| # | Title (min.:sec.) Excerpt (~ 1 min.) Notes |
|
| 1 |
FESTIVELY /With Introduction/ (2:18) |
|
| “Maestoso”. | ||
| 2 |
JOYFUL (2:35) |
|
| Guitar solo is imitated by voice. | ||
| 3 |
MODERATELY IN ROCK (2:44) |
|
| Guitar solo and piano riff are imitated by voice. | ||
| 4 |
IMPRESSION /But “Dark Power” Through/ (3:09) |
|
| Solo guitar is imitated by voice. In first Bridge, Part 2, intentionally singing in half a tone to the “Dark Power” step-down harmony. | ||
| 5 |
POP-ROCK /With Utter/ (2:40) |
|
| Solo guitar imitated by voice. | ||
| 6 |
ROCK IN SHORT PHRASES (2:22) |
|
| Solo guitar imitated by voice. | ||
| 16 min. Total | ||
| # | Title (min.:sec.) Excerpt (~ 1 min.) Notes |
|
| 1 |
HUNTER’S JOKE (2:25) |
|
| Solo vocal of a hunter and in return choir vocals of other hunters, mocking the exaggeratated accounts of his exploits. Irregular and shifting Bulgarian Time Signatures in 13/15 to 5/16 measure, etc. At times, the solo vocal is performed in specific Bulgarian ethno throat-voice shattering on semi-tones. | ||
| 2 |
ETHNO-TO-ROCK AND OVER (3:35) |
|
| Irregular time measures shifting to rock measures and vice versa. Rock -guitar solo is imitated by voice. | ||
| 3 |
POP-ETHNO SONG (2:22) |
|
| Ethno-instrument solo in “Bridge” is imitated by voice. | ||
| 4 |
MOOD CHANGE /Ethno to Pop/ (3:20) |
|
| The sound of Bulgarian ethno “kabba-pipes” introduces to pop-section. “Kabba-pipes” is imitated by voice. | ||
| 5 |
HARVEST SONG (In the field) (1:49) |
|
| Women Harvesters Provoking Men Mowers /Track № 7/. Intended for female group. Historically, in Bulgaria “harvesters” were mainly women. | ||
| 6 |
SONG WITH CHANTS (3:01) |
|
| Shifting from treble to bass chant’s support to the melody. Ethno-chant instruments imitated by voice. | ||
| 7 |
MOWERS SONG (2:35) |
|
| Instruments imitated by voice. /In Return to Women-Harvester’s Song - Track №5/. Mowers in Bulgaria are almost always men. | ||
| 8 |
DO LOVE (TO BE LOVED) (3:23) |
|
| Piano playback. A lyric is not clear. | ||
| 9 |
HOLIDAY SONG (2:48) |
|
| Piano playback dominates the voice, but leading melody is still recognizable. | ||
| 10 |
THIS LAND (3:24) |
|
| Piano playback. Whistling in the “Bridge” imitates wind-wood ethno instrument. | ||
| 11 |
THEME 2 (1:27) |
|
| Playback on guitar. | ||
| 12 |
THEME 4 (1:16) |
|
| Playback on mandolin. | ||
| 13 |
TAVERN TUNE /GROTESQUE/ (1:54) |
|
| Playback on mandolin. Leading voice to triple voices refrains. | ||
| 34 min. Total | ||