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Pop-Rock/Ethno

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US Copyright Office (Please, click the "Submit" button to see details)  
Registration Number / Date: PAu004158176 / 2020
  FESTIVELY and 5 Other Unpublished Works
Registration Number / Date: PAu004124161 / 2020
  Holiday /Bulgarian-Ethno Style/ and 3 Other Unpublished Works
Registration Number / Date: PAu004158175 / 2020
  HUNTER’S JOKE /Bulgarian Ethno/ and 6 Other Unpublished Works

Vesselin Kissyov /VDK/ - Composer And Performer Presents Pop-rock Musical Works

# Title (min.:sec.)
Excerpt  (~ 1 min.)
Notes
1

FESTIVELY /With Introduction/ (2:18)

“Maestoso”.
2

JOYFUL (2:35)

Guitar solo is imitated by voice.
3

MODERATELY IN ROCK (2:44)

Guitar solo and piano riff are imitated by voice.
4

IMPRESSION /But “Dark Power” Through/ (3:09)

Solo guitar is imitated by voice. In first Bridge, Part 2, intentionally singing in half a tone to the “Dark Power” step-down harmony.
5

POP-ROCK /With Utter/ (2:40)

Solo guitar imitated by voice.
6

ROCK IN SHORT PHRASES (2:22)

Solo guitar imitated by voice.
  16 min. Total

Vesselin Kissyov /VDK/ - Composer And Performer Presents Bulgarian Ethno-style Musical Works

# Title (min.:sec.)
Excerpt  (~ 1 min.)
Notes
1

HUNTER’S JOKE (2:25)

Solo vocal of a hunter and in return choir vocals of other hunters, mocking the exaggeratated accounts of his exploits. Irregular and shifting Bulgarian Time Signatures in 13/15 to 5/16 measure, etc. At times, the solo vocal is performed in specific Bulgarian ethno throat-voice shattering on semi-tones.
2

ETHNO-TO-ROCK AND OVER (3:35)

Irregular time measures shifting to rock measures and vice versa. Rock -guitar solo is imitated by voice.
3

POP-ETHNO SONG (2:22)

Ethno-instrument solo in “Bridge” is imitated by voice.
4

MOOD CHANGE /Ethno to Pop/ (3:20)

The sound of Bulgarian ethno “kabba-pipes” introduces to pop-section. “Kabba-pipes” is imitated by voice.
5

HARVEST SONG (In the field) (1:49)

Women Harvesters Provoking Men Mowers /Track № 7/. Intended for female group. Historically, in Bulgaria “harvesters” were mainly women.
6

SONG WITH CHANTS (3:01)

Shifting from treble to bass chant’s support to the melody. Ethno-chant instruments imitated by voice.
7

MOWERS SONG (2:35)

Instruments imitated by voice. /In Return to Women-Harvester’s Song - Track №5/. Mowers in Bulgaria are almost always men.
8

DO LOVE (TO BE LOVED) (3:23)

Piano playback. A lyric is not clear.
9

HOLIDAY SONG (2:48)

Piano playback dominates the voice, but leading melody is still recognizable.
10

THIS LAND (3:24)

Piano playback. Whistling in the “Bridge” imitates wind-wood ethno instrument.
11

THEME 2 (1:27)

Playback on guitar.
12

THEME 4 (1:16)

Playback on mandolin.
13

TAVERN TUNE /GROTESQUE/ (1:54)

Playback on mandolin. Leading voice to triple voices refrains.
  34 min. Total