56 Years of Artistic Career

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Pop-Rock/Ethno

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  1. All Musical Works presented herein are Unpublished Works of Performance Arts under registration in the US Copyright Office. All rights reserved.
  2. To obtain a copy of the Works, please contact the representative Attorney firm listed below.
  3. Copyrights of the Works are subject to ownership or exclusive rights license assignment.
  4. All soundtrack downloads are in the license-free LAME format (Wikipedia).
Deyan Stanev LL.M.
Stoytcheva & Stanev
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78 Vitosha Blvd, Floor 1
Sofia 1463, Bulgaria
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Vesselin Kissyov /VDK/ - Composer And Performer Presents Pop-rock Musical Works

# Title (min.:sec.)
Excerpt  (~ 1 min.)
Notes
1

FESTIVELY /With Introduction/ (2:18)

“Maestoso”.
2

JOYFUL (2:35)

Guitar solo is imitated by voice.
3

MODERATELY IN ROCK (2:44)

Guitar solo and piano riff are imitated by voice.
4

IMPRESSION /But “Dark Power” Through/ (3:09)

Solo guitar is imitated by voice. In first Bridge, Part 2, intentionally singing in half a tone to the “Dark Power” step-down harmony.
5

POP-ROCK /With Utter/ (2:40)

Solo guitar imitated by voice.
6

ROCK IN SHORT PHRASES (2:22)

Solo guitar imitated by voice.
  16 min. Total

Vesselin Kissyov /VDK/ - Composer And Performer Presents Bulgarian Ethno-style Musical Works

# Title (min.:sec.)
Excerpt  (~ 1 min.)
Notes
1

HUNTER’S JOKE (2:25)

Solo vocal of a hunter and in return choir vocals of other hunters, mocking the exaggeratated accounts of his exploits. Irregular and shifting Bulgarian Time Signatures in 13/15 to 5/16 measure, etc. At times, the solo vocal is performed in specific Bulgarian ethno throat-voice shattering on semi-tones.
2

ETHNO-TO-ROCK AND OVER (3:35)

Irregular time measures shifting to rock measures and vice versa. Rock -guitar solo is imitated by voice.
3

POP-ETHNO SONG (2:22)

Ethno-instrument solo in “Bridge” is imitated by voice.
4

MOOD CHANGE /Ethno to Pop/ (3:20)

The sound of Bulgarian ethno “kabba-pipes” introduces to pop-section. “Kabba-pipes” is imitated by voice.
5

HARVEST SONG (In the field) (1:49)

Women Harvesters Provoking Men Mowers /Track № 7/. Intended for female group. Historically, in Bulgaria “harvesters” were mainly women.
6

SONG WITH CHANTS (3:01)

Shifting from treble to bass chant’s support to the melody. Ethno-chant instruments imitated by voice.
7

MOWERS SONG (2:35)

Instruments imitated by voice. /In Return to Women-Harvester’s Song - Track №5/. Mowers in Bulgaria are almost always men.
8

DO LOVE (TO BE LOVED) (3:23)

Piano playback. A lyric is not clear.
9

HOLIDAY SONG (2:48)

Piano playback dominates the voice, but leading melody is still recognizable.
10

THIS LAND (3:24)

Piano playback. Whistling in the “Bridge” imitates wind-wood ethno instrument.
11

THEME 2 (1:27)

Playback on guitar.
12

THEME 4 (1:16)

Playback on mandolin.
13

TAVERN TUNE /GROTESQUE/ (1:54)

Playback on mandolin. Leading voice to triple voices refrains.
  34 min. Total